SKU: 22162007579
dark green sansevieria snake plant

dark green sansevieria snake plant Black Coral

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Description

dark green sansevieria snake plant Black CoralDracaena (Sansevieria) trifasciata 'Black Coral' Dracaena trifasciata 'Black Coral' is a dark leaved snake plant with tall, firm blades that rise from the base in strong vertical fans. The foliage is deep green to almost black, crossed by softer grey green horizontal banding that gives the leaves a layered look. Its shape stays simple and defined, while the colour gives the plant a deep, shadowed look in the pot. This cultivar combines height, dark

Dracaena (Sansevieria) trifasciata 'Black Coral'

Dracaena trifasciata 'Black Coral' is a dark-leaved snake plant with tall, firm blades that rise from the base in strong vertical fans. The foliage is deep green to almost black, crossed by softer grey-green horizontal banding that gives the leaves a layered look. Its shape stays simple and defined, while the colour gives the plant a deep, shadowed look in the pot.

This cultivar combines height, dark foliage and muted banding in a clear sword-leaf outline. It grows from a rhizome, so new leaves appear from the base and gradually increase the density of the clump. Over time, fresh shoots fill the pot beside the older leaves, creating a fuller plant with a steady vertical shape.

Dark banded leaves with a strong vertical line

  • Leaf colour: Deep green to near-black blades give the plant a saturated, grounded look in the pot.
  • Pattern: Horizontal grey-green banding softens the dark foliage and adds depth across the blade.
  • Growth base: The rhizome produces new shoots beside older leaves, slowly thickening the plant.
  • Indoor size: Mature plants can reach around 0.5–1 m, depending on light, pot size and growing conditions.
  • Flowering: Older, settled plants may occasionally send up fragrant, greenish-white flower spikes.

Seasonally dry origins behind the tough leaves

Dracaena trifasciata is a rhizomatous geophyte from seasonally dry tropical parts of Africa. Its firm leaves store moisture, while the rhizome needs air around it after watering. The visible plant is only part of the structure; below the substrate, the rhizome stores energy and sends up new leaf fans when conditions are warm and stable.

'Black Coral' keeps the broad, sword-shaped leaf form associated with Dracaena trifasciata, with darker colouring across the blade. The muted banding gives the leaves depth and keeps the surface visually rich. In steady filtered light, the blades usually stay firm and clearly patterned. In dimmer positions, adjust watering to the slower drying pace of the pot.

Repotting intervals are usually long. A slightly snug container helps the substrate dry predictably and keeps the rhizome stable. When the pot becomes crowded, new shoots may press against the sides or distort the nursery pot. That is usually the right moment to move it into a slightly larger container.

Water, light and potting mix

  • Light: In bright indirect light, leaves stay firm and the banding remains visible. Lower light is tolerated, with longer drying time between waterings.
  • Watering: Water thoroughly after most or all of the potting mix has dried. Let excess water drain away, then wait for the substrate to dry again before the next soak.
  • Substrate: A mineral-structured mix with pumice, lava rock, coarse sand or fine bark keeps air around the rhizome after watering.
  • Pot choice: Drainage holes are essential. A decorative cover pot is fine when standing water is emptied after each watering.
  • Temperature: Keep it in normal indoor warmth, ideally around 18–27 °C. A warm root zone keeps the pot drying more steadily after watering.
  • Humidity: Average household humidity is enough. The leaves are adapted to dry intervals and normal room air.
  • Feeding: A diluted balanced or cactus fertiliser during active growth is sufficient. Slow rhizome growth needs light feeding.
  • Repotting: Move it on when the rhizome has filled the pot, the container is deforming, or the substrate has lost structure.
  • Propagation: Divide established clumps by separating rooted rhizome sections. Division preserves the full clump shape.

Dark foliage problem signs

  • Soft tissue near the base: Inspect the rhizome area, cover pot and substrate depth. Mushy bases usually come from moisture held too long around the lower plant.
  • Wrinkled or folding leaves: Check whether the pot is very dry, then inspect root health. A plant with damaged roots can look thirsty even when the mix has been watered.
  • Brown leaf tips: Review watering consistency, mineral buildup and old handling damage. Dry tips can be trimmed within the dead tissue.
  • Leaning growth: Turn the pot occasionally so the leaves receive light evenly. A crowded clump can also push older leaves sideways.
  • Slow shoot production: Slow growth is normal, especially in winter. Check light and warmth first, then adjust feeding only during active growth.

Safe placement at home

Keep Dracaena trifasciata 'Black Coral' away from pets and small children who may bite the leaves. Snake plants contain saponins, which can cause nausea, vomiting or diarrhoea in cats and dogs if ingested. The firm leaves also benefit from a stable position where the pot stays secure.

Dracaena, Sansevieria and the banded species name

The accepted botanical name for the species is Dracaena trifasciata, while Sansevieria trifasciata remains the older name still widely used in plant shops and care guides. The genus name Dracaena comes from the Greek drakaina, meaning “female dragon”, a name historically linked to red resin in some dragon tree relatives. The species epithet trifasciata means “three-banded” or “marked with three bands”, from Latin tri- for three and fasciatus for banded.

Dracaena trifasciata 'Black Coral' has tall, dark, banded leaves with a steady upright form.

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SKU: 22162007579

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6ftalicecooper
Charlottesville, US
★★★★★ 5
RIP Gene Hackman…Holy $?#! This movie!
Prime Cut is honestly more a 3 1/2 star movie however KINO gets 5 stars for releasing a beautiful transfer of this mean & nasty 70s crime drama that’s as violent as it is weird. Hackman as the Kansas City Gangster who makes enemies into hotdogs before sending them back, draws the ire of Chicago enforcer Marvin to collect a large sum of money from Mary Ann - Hackman’s name by the way. The Blu Ray doesn’t have much but if you like sleazy, mean, & odd 70s crime thrillers, take a hefty bite of this PRIME CUT.
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Reviewed in the United States on October 6, 2025
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A. Thurston
Birmingham, US
★★★★★ 3
Solid example of 70's filmmaking
I had forgotten that I had this film in a pile to "watch later" and finally did and was glad I did. This overlooked 1972 film from director Michael Richie while short on run time and story development is still a worthy viewing experience.Mr.Richie went onto a fine career doing such films as The Candidate,The Bad News Bears,Semi-Tough and a few notable comedies like Fletch and Wildcats.He also did Student Bodies which he had his named removed from so nobody's perfect.The film has a great cast it stars veteran tough guy actor Lee Marvin as Nick a mob fixer who is assigned a job to reel in a renegade hood. This hood is a guy named Mary Ann( I kid you not) and he runs a drug and white slavery ring out in rural Kansas City.Played to the cusp of over acting by Gene Hackman Mary Ann uses a meat packing/slaughterhouse plant as a front for his illegal activities.Mary Ann has a dim witted brother called Weenie(at least not Ginger to his brother Mary Ann thankfully) who acts as the muscle played by Gregory Walcott.Nick is a city slicker based out of Chicago who is quiet,mean looking and well dressed.Mary Ann is loud and obnoxious and a country boy .Mary Ann has angered the Chicago mob by stopping his payments and going rogue.He's also grounded up previous gangsters from Chi-Town who were sent to persuade him into sausages and sent them back to Chicago in bundles of meat.So Nick ,a trusted sidekick driver and 3 "green" young wannabees head from Chicago to Kansas City to see what can be done to correct the situation.What you get besides a lot of violence is the classic city versus country scenario. Slick Nick and company pop into Mary Ann's barn where various young girls are being drugged and penned like pigs or cows would be.One of the girls is played by Sissy Spacek(you might have heard of her) and another is played by 70's B movie starlet Janit Baldwin( Gator Bait,Ruby) .Nick is not amused by MA's little gambit and informs him that he's taking one of the girls as down payment for what he owes.He chooses Poppy (Spacek) a pretty little blond who along with Violet was raised in a Missouri orphanage .Said orphanage also was a front for breeding future girls to be sold as sex slaves.MA says that he'll make good on the money he owes but of course you KNOW he's not going to.Violence erupts Nick and Poppy are on the lamb and the rest of Nick's associate's are either killed or on the run as well.Nick and Poppy have a memorable scene in a wheat field where a hired hand tries to grind the two up with a giant wheat harvester .This scene is the most memorable thing in Prime Cut.You feel the fear of 2 people lost in a wheat field and a giant combine machine trying to rip them to shreds.The film has great cinematography and the colors are top notch.Something about 70's cinema and the whole style of shooting makes it stand out.As a last twist in the story Mary Ann is married to Clarabelle (Angel Tompkins) who once was involved with Nick.Will she aid Nick in bringing down her husband or stay loyal to him? This film could've used more story building and feels rushed at times.It's also the film debut of the young Sissy Spacek who's good here.She play's naive and resourceful very good here.Poppy her character reminds me of the character played by Jennifer Jason Leigh in Miami Blues. Both have that "are you kidding me" sense of naiveness that makes them endearing.Baldwin also made her debut here and is less memorable but fine for what's asked of Violet.To sum it up if you want a fine nights viewing I recommend Prime Cut.The cast is stellar ,the look awesome and the action intense.
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Reviewed in the United States on December 25, 2011
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Damaged by Dub
Whiting, US
★★★★★ 5
An important restoration
These three films contain so much beauty, and so much heartache, it's hard to know where to begin. First off, if your a ciniphile, or criterion collector, it's pretty much a must to own these newly restored films. I believe the original prints where very damaged , or completely lost in a fire, so the restoration is nothing short of amazing. The films do look older then they are, but the clarity and visual beauty is not diminished here at all. The films basically follow a young boy Apu throughput his life, growing up Bengali in India , and the trials and tribulations he faces from his poor rural behinings, to his education and later move to Calcutta. On my initial viewing of these films, I thought the heartache was too much, and quite honestly put them out of my mind, but they actually never left, due to the power of them, and the vision of this fantastic director, and the talented actors. Upon reviewing them, at least 3 times each, I realize there is much beauty and hope, along with the pain..in these quite frankly incredible films.
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Reviewed in the United States on August 21, 2021
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Andy
Massapequa, US
★★★★★ 5
One of The Undeniable Masterworks of Cinema
This extraordinary trilogy earns it's place among cinema's greatest masterworks. The saga a young Bengali boy's journey into adulthood, feeling his way through the mysterious world, as he experiences living in rural poverty, trains to be a priest like his father, attends university in Calcutta, the unusual circumstances that he meets the love of his life, and becoming a wandering writer. Filmed in an unpretentious neorealist style, simply told but complex in nature, life, loss, love, family, religion, and one's place in the world are all confronted with uniquely gentle and artistic charm and heart breaking tragedy. These films are so pure, so genuine, and so thoughtful, they reach the heights of humanity in cinema. This towering landmark in Indian cinema was a shot heard around the world when first released in the 1950's , winning awards, establishing Satyajit Ray as a world class director, popularizing the music of Ravi Shankar, and has enchanted film-lovers ever since. This Criterion Collection set is superb. Extra content includes plenty of interviews, documentaries, and essays. The restoration is excellent -nothing short of a miracle, considering the original prints were damaged in a fire (this is documented in one of the many extras). These are must-see entries in world cinema and highly recommended to fans of foreign film (especially Kurosawa and Italian neorealists) and those that appreciate great storytelling.
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Reviewed in the United States on August 11, 2018
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Prashant Arora
Cuba, US
★★★★★ 5
Terrible delivery
This review is about product delivery. The Apu Trilogy is one of the best trilogies in the style of Italian neorealism ever made. These movies are international treasures and should be preserved for posterity. I wish Amazon packaging had considered that. When Amazon sends me a single battery, it comes wrapped and boxed in a giant box. Almost everything comes in oversized packages, but they sent the three DVDs without any protective envelope, box, or sleeve. It arrived in its original packaging, dinged on all four corners. The DVDs were a birthday gift. Extremely disappointed!
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Reviewed in the United States on August 11, 2023

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